As the 2023 Cannes Film Festival hits its midway point, I have three main takeaways from its first half: (1) None of the high-profile films that have already screened — among them Martin Scorsese’s Killers of the Flower Moon, Todd Haynes’ May December and Jonathan Glazer’s The Zone of Interest — have been universally embraced. (2) […]

from The Hollywood Reporter https://ift.tt/35FEJjo